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Jes Grew IRL???

Both Mumbo Jumbo and Ragtime  use history to add to the realness of their texts. In Ragtime, Doctorow uses "false documents" that likely aren't true but for the most part can't be disproven to fill in the gaps of real history used in his book. For instance, he depicts J. P. Morgan talking to a seagull in a bout of loneliness, something that cannot be proven nor disproven. Moments like this make Ragtime  feel real.  Mumbo Jumbo takes place around the ragtime period as well, and during the Harlem Renaissance. Jes Grew is an anti-plague that spreads dancing and liveliness, a metaphor for the spread of black culture. The novel identifies things like ragtime and jazz as elements of Jes Grew, but Jes Grew's origins go back thousands of years. Reed uses what I presume to be (mostly) real Egyptian mythology and mumbo jumbo lore as actual history in  Mumbo Jumbo.  By using African history/mythology to set the novel, Reed accomplishes multiple things: he creates an Afroce...
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I'm quitting 20th Century...

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The circumstances have changed. I feel it is necessary to let you, the readers, know that I can no longer in good conscience continue blogging about the 20th century. I have decided to shift the focus of my enthusiasm to the "Coming of Age" novel. I hope that you, the readers, will continue to support my blog in the new direction it is going. Thank you. All subsequent posts from this blog will be for the class "The Coming of Age Novel".
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Daedalus and Icarus

    The story of Daedalus and Icarus goes that Daedalus, the genius inventor, crafted wings of feathers and wax so he and Icarus could escape Crete. However, Icarus grew cocky, flying so close to the sun that his wings melted and he fell to his death. In Fun Home, Bechdel makes a comparison of her and her father to Daedalus and Icarus, which I think is the perfect analogy. Throughout the novel she and her father embody both of these roles interchangeably, which I'll explore here.      At the beginning of the book, Bechdel illustrates her and her father playing a game of airplane, which she related to the Icarian games of the circus. She cryptically notes that, "In our particular reenactment of this mythic relationship, it was not me but my father who was to plummet from the sky" (Bechdel 4). As they are playing airplane, her father is Daedalus and she is Icarus, but this statement implies the opposite. Her father would be the one to plummet from the sky, which c...
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