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Jes Grew IRL???

Both Mumbo Jumbo and Ragtime  use history to add to the realness of their texts. In Ragtime, Doctorow uses "false documents" that likely aren't true but for the most part can't be disproven to fill in the gaps of real history used in his book. For instance, he depicts J. P. Morgan talking to a seagull in a bout of loneliness, something that cannot be proven nor disproven. Moments like this make Ragtime  feel real.  Mumbo Jumbo takes place around the ragtime period as well, and during the Harlem Renaissance. Jes Grew is an anti-plague that spreads dancing and liveliness, a metaphor for the spread of black culture. The novel identifies things like ragtime and jazz as elements of Jes Grew, but Jes Grew's origins go back thousands of years. Reed uses what I presume to be (mostly) real Egyptian mythology and mumbo jumbo lore as actual history in  Mumbo Jumbo.  By using African history/mythology to set the novel, Reed accomplishes multiple things: he creates an Afroce...
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Beginning to analyze Mersault's motives for murder

What were Mersault's motives for this killing? "The sun" wasn't enough for the jury, and its not enough for me. Here is a passage that I think helps us understand: "A minute later I turned back toward the beach and started walking.     There was the same dazzling red glare. The sea gasped for air with each shallow, stifled little wave that broke on the sand. I was walking slowly toward the rocks and I could feel my forehead swelling under the sun. All that heat was pressing down on me and making it hard for me to go on. And every time I felt a blast of its hot breath strike my face, I gritted my teeth, clenched my fists in my trouser pockets, and strained every nerve in order to overcome the sun and the thick drunkenness it was spilling over me. With every blade of light that flashed off the sand, from a bleached shell or a piece of broken glass, my jaws tightened. I walked for a long time " (57). This is right after Raymond and him encounter the two Arab me...
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Six Degrees of Ragtime

Ragtime by E.L. Doctorow tells a unique story about the Ragtime era. There is no main character, no antagonist, and a very confusing plot. Instead, it jumps about seemingly aimlessly at the beginning, emulating some kind of omnipotent camera zooming in on random people. Doctorow doesn't use names for fictional characters but does for real historical figures in the book (with the exception of Coalhouse Walker). Things get interesting when historical figures interact with fictional characters, because Doctorow writes Ragtime in the gaps of history, making it impossible to know whether these events really happened.  Although all the characters are seemingly disconnected, they end up all having some connection to each other by the end of the book. The Family of Mother, Father, and the Little Boy meet Houdini in a rare coincidence, who meets Harry K. Thaw, death row convict and estranged husband of Evelyn Nesbit, who has an affair with Mother's Younger Brother. Coalhouse Walker'...
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